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pianoteq.txt
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pianoteq.txt
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There is no official command-line option for that, but with Pianoteq 6.1 you can use:
--list-param to get a list of public parameters (similar to the list VST parameters).
--set-param name=value to change the value of a parameter . If the parameter name contains spaces you must quote it , for example:
./Pianoteq 6 --set-param "Reverb Duration=5"
Options from command-line:
--help : show this help, and quit
--version : show current version number and date, and quit
--no-prefs : start Pianoteq without using any saved preference
--no-audio-prefs : start Pianoteq with a clean audio/midi configuration
--prefs FILENAME : stores the preferences in the specified file
--fxp FILENAME : load an FXP file on startup
--preset NAME : load a preset on startup
--list-presets : display the list of all presets
--midimapping NAME : load a midimapping preset on startup
--midi-channel CH : listen only to MIDI events on the specified channel (1<=value<=16 or 'all')
--midi-transpose x : transpose note events by the specified amount (-36<=x<=36)
--midi FILENAME : load a midi file, or a *.m3u playlist content. If filename is a folder,
the midi files contained in that folder
--open file1 file2 ... : load files, which can be midi, fxp, mfxp, ptq, scl or kbm files.
Must be used as the *last* option
--wav FILENAME : export midi file as WAV file, and quit
--flac FILENAME : export as FLAC
--mp3 FILENAME : export as MP3
--rate FREQ : change the sample rate for the exported wav
--bit-depth D : change the bit-depth for the exported wav (16,24 or 32)
--dither ON/OFF : turn dithering when exporting on or off
--normalize : turn on volume normalization for the exported wav
--normalize-db DB : change the normalization level (default value is -1dB)
--mono : export the wav file as mono
--headless : do not show the graphical interface
--fullscreen : start in fullscreen mode
--export-vst3-presets PATH : export all presets as VST3 presets
--export-vst3-presets-std : export VST3 preset to their default location, which is:
C:\Users\davea\AppData\Roaming\VST3 Presets\
--export-presets-filter all|builtin|ptq|user : select which presets are exported, default is 'builtin'
--restore-windows : restore the a previously saved set of windows
--do-not-block-screensaver : prevent Pianoteq from keeping the screen on
--quiet : be less verbose
--play : immediately start playing the midi file
--play-and-quit : start playing the midi file, and quit when it ends
--activate SERIAL or --activate COMPUTER_NAME:SERIAL activate this computer using the supplied serial
--serve [IP:]PORT : start a JSON-RPC server for remote control of Pianoteq.
When using --serve "" , the server listens on localhost:8081
Example of use: Pianoteq --preset "U4 Small" --midi foo.mid --wav foo.wav
"Pianoteq 7.exe" --list-param
c:\Program Files\Modartt\Pianoteq 7> 1; Condition; 0..10.00
2; Dynamics; 1..100
3; Pitch Bend; -2400..+2400
4; Unison Width; 0..20.00
5; Stereo Width; 0..5.00
6; Hammer Noise; 0.10..3.00
7; Sustain Pedal; 0..1.00
8; Soft Pedal; 0..1.00
9; Sostenuto Pedal; 0..1.00
10; Harmonic Pedal; 0..1.00
11; Rattle Pedal; 0..1.00
12; Buff Stop Pedal; 0..1.00
13; Celeste Pedal; 0..1.00
14; Mozart Rail; 0..1.00
15; Super Sostenuto; 0..1.00
16; Pinch Harmonic Pedal; 0..1.00
17; Glissando Pedal; 0..1.00
18; Harpsichord Register 1; 0..1
19; Harpsichord Register 2; 0..1
20; Harpsichord Register 3; 0..1
21; Reversed Sustain; 0..1
22; Volume; Off..+12.0
23; Post Effect Gain; -12.0..+12.0
24; Diapason; 220.0..880.0
25; Octave Stretching; 0.95..3.00
26; Unison Balance; -1.00..+1.00
27; Direct Sound Duration; 0..5.00
28; Hammer Hard. Piano; 0..2.00
29; Hammer Hard. Mezzo; 0..2.00
30; Hammer Hard. Forte; 0..2.00
31; Spectrum Profile 1; -15.00..+15.00
32; Spectrum Profile 2; -15.00..+15.00
33; Spectrum Profile 3; -15.00..+15.00
34; Spectrum Profile 4; -15.00..+15.00
35; Spectrum Profile 5; -15.00..+15.00
36; Spectrum Profile 6; -15.00..+15.00
37; Spectrum Profile 7; -15.00..+15.00
38; Spectrum Profile 8; -15.00..+15.00
39; Strike Point; 1/64.0..1/2.0
40; Pinch Harmonic Point; 1/64.0..1/2.0
41; Pickup Symmetry; 0..1.00
42; Pickup Distance; 0.20..2.00
43; Soft Level; 0..1.00
44; Clavinet Low Mic; -1.00..+1.00
45; Clavinet High Mic; -1.00..+1.00
46; Impedance; 0.30..3.00
47; Cutoff; 0.30..3.00
48; Q Factor; 0.20..5.00
49; String Length; 0.80..10.00
50; Sympathetic Resonance; 0..5.00
51; Duplex Scale Resonance; 0..20.00
52; Quadratic Effect; 0..20.00
53; Hammer Tine Noise; -100.00..+25.00
54; Blooming Energy; 0..2.00
55; Blooming Inertia; 0.10..3.00
56; Equalizer Switch; Off..On
57; Aftertouch; 0..1.00
58; Morphing; 0..100
59; Bounce Switch; Off..On
60; Bounce Delay; 10.00..250.00
61; Bounce Sync; Off..On
62; Bounce Sync Speed; 16d..1/8t
63; Bounce Velocity Sensitivity; 0..100
64; Bounce Delay Loss; 0..100
65; Bounce Velocity Loss; 0..100
66; Bounce Humanization; 0..100
67; Eff 1 Switch; Off..On
68; Eff 1 DelMix; 0..100
69; Eff 1 DelTime; 1..1000
70; Eff 1 DelFb; 0..100
71; Eff 1 DelTone; -1.00..+1.00
72; Eff 1 DelPol; Off..On
73; Eff 1 Param 6; 0..1.00
74; Eff 1 Param 7; 0..1.00
75; Eff 1 Param 8; 0..1.00
76; Eff 2 Switch; Off..On
77; Eff 2 PEQ1F; 40..22050
78; Eff 2 PEQ1G; -25.0..+25.0
79; Eff 2 PEQ1Q; 0.01..100.00
80; Eff 2 PEQ2F; 40..22050
81; Eff 2 PEQ2G; -25.0..+25.0
82; Eff 2 PEQ2Q; 0.01..100.00
83; Eff 2 PEQ3F; 40..22050
84; Eff 2 PEQ3G; -25.0..+25.0
85; Eff 3 Switch; Off..On
86; Eff 3 PEQ1F; 40..22050
87; Eff 3 PEQ1G; -25.0..+25.0
88; Eff 3 PEQ1Q; 0.01..100.00
89; Eff 3 PEQ2F; 40..22050
90; Eff 3 PEQ2G; -25.0..+25.0
91; Eff 3 PEQ2Q; 0.01..100.00
92; Eff 3 PEQ3F; 40..22050
93; Eff 3 PEQ3G; -25.0..+25.0
94; Reverb Switch; Off..On
95; Reverb Duration; 0..5.00
96; Reverb Mix; Off..+50.0
97; Room Dimensions; 5.00..50.00
98; Reverb Pre-delay; 0..0.200
99; Reverb Early Reflections; -20.0..+20.0
100; Reverb Tone; -1.00..+1.00
101; Reverb Envelope; -200.0..0
102; Reverb Resampling; 50..200
103; Limiter Switch; Off..On
104; Limiter Sharpness; 0..2.00
105; Limiter Threshold; -25..0
106; Limiter Gain; -30..+6
107; Mute; 0..1.00
108; Damper Noise; Off..+24.00
109; Damper Position; 1/64.0..1/2.0
110; Last Damper; 0..128
111; Pedal Noise; Off..+25
112; Key Release Noise; Off..+25
113; Damping Duration; 0.03..10.00
114; Keyboard Range Switch; Off..On
115; Lid Position; 0..1.00
116; Output Mode; Sterophonic..Binaural
117; Mic Level Compensation; Off..On
118; Mic Delay Compensation; Off..On
119; Head X position; -10.000..+10.000
120; Head Y position; -6.000..+6.000
121; Head Z position; 0..3.500
122; Head Diameter; 10.000..50.000
123; Head Angle; -180.0..+180.0
124; Mic 1 Mic Switch; Off..On
125; Mic 1 X position; -10.000..+10.000
126; Mic 1 Y position; -6.000..+6.000
127; Mic 1 Z position; 0..3.500
128; Mic 1 Azimuth; -180.0..+180.0
129; Mic 1 Elevation; -180.0..+180.0
130; Mic 1 Level 1; Off..+6
131; Mic 1 Delay 1; -250.0..+250.0
132; Mic 1 Level 2; Off..+6
133; Mic 1 Delay 2; -250.0..+250.0
134; Mic 1 Level 3; Off..+6
135; Mic 1 Delay 3; -250.0..+250.0
136; Mic 1 Level 4; Off..+6
137; Mic 1 Delay 4; -250.0..+250.0
138; Mic 1 Level 5; Off..+6
139; Mic 1 Delay 5; -250.0..+250.0
140; Mic 2 Mic Switch; Off..On
141; Mic 2 X position; -10.000..+10.000
142; Mic 2 Y position; -6.000..+6.000
143; Mic 2 Z position; 0..3.500
144; Mic 2 Azimuth; -180.0..+180.0
145; Mic 2 Elevation; -180.0..+180.0
146; Mic 2 Level 1; Off..+6
147; Mic 2 Delay 1; -250.0..+250.0
148; Mic 2 Level 2; Off..+6
149; Mic 2 Delay 2; -250.0..+250.0
150; Mic 2 Level 3; Off..+6
151; Mic 2 Delay 3; -250.0..+250.0
152; Mic 2 Level 4; Off..+6
153; Mic 2 Delay 4; -250.0..+250.0
154; Mic 2 Level 5; Off..+6
155; Mic 2 Delay 5; -250.0..+250.0
156; Mic 3 Mic Switch; Off..On
157; Mic 3 X position; -10.000..+10.000
158; Mic 3 Y position; -6.000..+6.000
159; Mic 3 Z position; 0..3.500
160; Mic 3 Azimuth; -180.0..+180.0
161; Mic 3 Elevation; -180.0..+180.0
162; Mic 3 Level 1; Off..+6
163; Mic 3 Delay 1; -250.0..+250.0
164; Mic 3 Level 2; Off..+6
165; Mic 3 Delay 2; -250.0..+250.0
166; Mic 3 Level 3; Off..+6
167; Mic 3 Delay 3; -250.0..+250.0
168; Mic 3 Level 4; Off..+6
169; Mic 3 Delay 4; -250.0..+250.0
170; Mic 3 Level 5; Off..+6
171; Mic 3 Delay 5; -250.0..+250.0
172; Mic 4 Mic Switch; Off..On
173; Mic 4 X position; -10.000..+10.000
174; Mic 4 Y position; -6.000..+6.000
175; Mic 4 Z position; 0..3.500
176; Mic 4 Azimuth; -180.0..+180.0
177; Mic 4 Elevation; -180.0..+180.0
178; Mic 4 Level 1; Off..+6
179; Mic 4 Delay 1; -250.0..+250.0
180; Mic 4 Level 2; Off..+6
181; Mic 4 Delay 2; -250.0..+250.0
182; Mic 4 Level 3; Off..+6
183; Mic 4 Delay 3; -250.0..+250.0
184; Mic 4 Level 4; Off..+6
185; Mic 4 Delay 4; -250.0..+250.0
186; Mic 4 Level 5; Off..+6
187; Mic 4 Delay 5; -250.0..+250.0
188; Mic 5 Mic Switch; Off..On
189; Mic 5 X position; -10.000..+10.000
190; Mic 5 Y position; -6.000..+6.000
191; Mic 5 Z position; 0..3.500
192; Mic 5 Azimuth; -180.0..+180.0
193; Mic 5 Elevation; -180.0..+180.0
194; Mic 5 Level 1; Off..+6
195; Mic 5 Delay 1; -250.0..+250.0
196; Mic 5 Level 2; Off..+6
197; Mic 5 Delay 2; -250.0..+250.0
198; Mic 5 Level 3; Off..+6
199; Mic 5 Delay 3; -250.0..+250.0
200; Mic 5 Level 4; Off..+6
201; Mic 5 Delay 4; -250.0..+250.0
202; Mic 5 Level 5; Off..+6
203; Mic 5 Delay 5; -250.0..+250.0
204; Sound Speed; 200..500
205; Wall distance; 0..6.00
206; Lid; Off..On